If you’re a fan of Hollywood’s recent slew of fairytale revisions, you won’t want to miss Maleficent. You might remember that I was pretty taken with Snow White and the Huntsman and wrote a lengthy article about it a while back. I loved Maleficent too, and couldn’t wait to look at the chart for the film’s premiere. I’ve recently been having fun adding asteroids to my charts, and the named asteroids are often pretty dramatic. I’ll share some standouts here from the Maleficent chart and look at a few other important configurations.
It took some digging to find the premiere’s actual start time, which I settled on as May 28, 2014 at 6:00 pm in Hollywood, CA. (1) The film’s opening got some extra media buzz because Brad Pitt was accosted on the red carpet by a notorious paparazzi guy (and we find rogue chaos-instigator Uranus in Aries quincunx the Ascendant in the premiere chart). But that media blip didn’t detract from the real star of the moment – Angelina Jolie – who seems to have been born to play the part of Maleficent, the famous villain from Walt Disney’s 1959 version of Sleeping Beauty.
SPOILER ALERT! If you haven’t seen the film yet and don’t like knowing the plot details beforehand, quit reading and come back after you’ve seen it. Although you know the fairy tale it’s based on, there are enough twists in this new version to surprise you.
Maleficent tells the Sleeping Beauty tale anew from the point of view of Maleficent, a powerful fairy from a magical realm, who, after a deeply wounding betrayal, comes to have it out for princess Aurora (Sleeping Beauty), and casts the famous spell that enchants Aurora into a deep sleep on her 16th birthday. In this wonderful revision of the classic fairy tale, we get to see characters whose motivations are more fully developed, complex, and less black-and-white than the Disney or Grimm originals. More importantly, details of the story are changed to give the female characters more power and centrality in their own self-actualization. I just love progress! And I’m surprised and grateful that Hollywood (and Disney!) now have the will to make films like this.
The visuals in the film take center stage, with Angeline Jolie’s angular features perfectly matched to Disney’s original cartoon villain’s striking looks. The reimagined Maleficent still has two huge horns, but now also has majestic wings that (temporarily) take the place of the classic black cape we all remember.
I started doing research on Venus out of bounds after editing Steven Forrest’s video workshop on the Out of Bounds Moon. I’ve been wanting to study the subject for a while and finally had the opportunity while writing his recent newsletter. I was thrilled to find that, in my sampling of 130 charts of famous people, many patterns started to emerge that gelled with the commonly held ideas about how out of bounds planets express.
A quick search on “Venus out of bounds” returns several brief blog entries that describe the general hypothesis that out of bounds planets are wacky, forward-thinking, or outside the box. Some describe this as a difficult placement and use terms that are limiting or judgmental, which is common in generalized descriptive astrology for better or worse. I wouldn’t say that at all. Difficult placements can bear beautiful fruit. And “easy” placements can fall short of awesome.
There hasn’t been a ton of published work about planets at extreme declinations. Kt Boehrer’s is credited as coining the term “out of bounds,” and though I’m hoping to track down a copy of it at this year’s NORWAC, I haven’t read it yet. Also on my declination reading list is Paul Newman’s Declination in Astrology, which looks promising. The AFA has a book by Joseph Silveira deMello called Declinations, and outside that, there isn’t much out there (get it: “out there”…chuckle chuckle).
Tonight I just watched a film that pushed me out of my comfort zone. And to calm my nerves, I’m sitting in front of the computer late on a Saturday night, writing this as a kind of therapy. The film is the very dark “comedy” God Bless America, written and directed by warped comedian Bobcat Goldthwait. Now let me say this loud and clear before you rush out and watch the film: I don’t recommend the film, nor do I suggest you watch it! In fact, take my advice and don’t. My own interest was piqued when I first saw the trailer, but in that can’t-turn-away-from-a-car-wreck sort of way. The images were shocking but I also instantly noticed their relevance to the current transit of Uranus through Aries. So I chose to watch it because I was really curious to see how the film’s release played out in the larger culture.
I expected there to be a lot of press around the film’s release, including protests and angry dissent. But the release was relatively uneventful. In fact, after seeing the pre-release trailer in some art-house theater, I never saw mention of the film again, and forgot about it entirely until the mass shootings of 2012 started. And for reasons which will soon become apparent, I was instantly reminded.
In short, God Bless America is the story of a middle-aged male and a teenage female who embark on a violent killing spree, randomly shooting people who “just piss them off.” Some of their main targets are right-wing pundits and radicals, and they also take direct aim at pop culture, shooting participants on an American Idol-style reality TV show.
After watching this film I became fascinated with how markedly the director was tuned in to the zeitgeist. He couldn’t have known that shooting sprees were about to become even more of a prominent fixture in our culture just after his film’s release. And yet he was clearly already deeply in touch with the archetypal energies that were brewing even before any of the dramatic shooting incidents of 2012 took place. Because of that, this film is prophetic and even more deeply disturbing than it would have been in any other context.
At the 2009 at the ISAR Astrology Conference in Chicago, the hot topic was predictions about the years 2009-2015. At the conference, and for the months to follow, the astrological community was buzzing about the looming 2010 Saturn-Uranus-Pluto T-Square, and the coming years of the Uranus square Pluto transit. There were predictions of financial collapse, civil war, unrest, assassination and revolution. And the fear expressed in the astrological community was mirrored with identical projections all throughout our culture. It seemed that wherever I looked, people were saying that the apocalypse was at hand, the sky was about to fall and that it was time to head for the hills.
As I started to do my own analysis of the potentials of the coming transits, I zeroed in on the potential for revolution. With Uranus in Aries squaring Pluto in Capricorn, I imagined challenges to the status quo, who could in turn respond with even more harsh measures of control. I imagined the possibility of fascism in response to revolution. History has no shortage of grave human errors. And I wondered if we might be at the threshold of another such time.
Another line of thought had me worried about physical changes in the earth, and catastrophes that we wouldn’t be able to stop. I began to get pretty worked up about all of these fearful projections, and everywhere I turned it seemed that other people were doing the same thing. Because of the daily stress I started to feel, I made a deliberate effort to stop this line of thinking, which was both unproductive and disturbing. I decided to leave fearful speculation to the masters – the newscasters. I turned off the news, and decided I’d just take it day-by-day and respond to whatever life delivered as best I could in the moment.
And then bang – just as the square between Uranus and Pluto heated up, revolution was on everyone’s lips. From the Arab Spring, to the Occupy movement, challenges to the status quo were in full force. Dramatically, the day Uranus moved into Aries, we experienced the colossal earthquake, tsunami and nuclear meltdown in Japan. It seemed that all of my worst fears about the potentials of the transits were coming true. I had a feeling there would be more to come. And because one of the potentials of Uranus is that events colored by its transits can be quick and shocking, I knew it would be hard to pin down exactly when or where such events would take place. All of this was a recipe for my fearful projections to start up again. So I really had to make a daily effort to avoid that and do my best to stay present.
Then the shootings started. And right on time, I was shocked and surprised like the rest of you. I’m not sure why I hadn’t considered the lone-shooter scenario as part of the potential of Uranus’ transit through the sign of Aries, because in hindsight, it makes so much sense. But astrology is often like that: easy to explain after the fact, but more difficult to predict with certainty. I’m sure someone out there did accurately predict the increase in lone shooters. But I was so focused on Uranus’ interaction with Pluto spelling r-e-v-o-l-u-t-i-o-n, that I overlooked some of the most basic meanings of both the planets and the signs. So let’s look at them.
Analyzing astrological archetypes can get so complex that it’s always fun to see them expressed literally. In Star Trek Into Darkness, the newest installment of the sci-fi franchise, we get hit over the head with the Uranus-Pluto square symbolism in the first few scenes. In astro-speak, right now we're in the middle of a long cycle in which Uranus is in the sign of Aries, and Pluto is in Capricorn, and they are in a tense relationship with each other called a square. At the opening of the film, we get to see Spock standing in the middle of a sea of red, in the heart of an active volcano that’s minutes away from erupting. His task is to plunge some technological wizardry into the core of the volcano that will turn the lava solid thus preventing its eruption. His goal is to protect a race of indigenous people who are at a fragile beginning stage of their evolution.
With his sharply angular haircut and high-tech finery, Spock is one of our classic Uranian cultural icons – the genius outsider, whose ability to detach from his emotions is his most prominent asset. The image of him standing in the middle of the volcano vividly embodies the archetypal field of Uranus in Aries – with Spock evoking Uranus and the hot lava and danger of the situation evoking Aries. In its high expression, the Aries endgame is to develop courage. So we can find strong Aries signatures in the presence of heroic deeds.
Pluto also stands out in this image, as the elemental power of the volcano. And the entire situation evokes the transit of Uranus square Pluto, with the vulnerable life forms threatened by environmental chaos, and the struggle to save them.